מעודכן ל: 21.5.2024
Kevin J. Hickey, Cong. Rsch. Serv., LSB10597, Google v. Oracle: Supreme Court Rules for Google in Landmark Software Copyright Case (May 10, 2021).
Broadcasters' Rights in the Digital Era : Copyright Concerns on Live Streaming by
In Broadcasters' Rights in the Digital Era, Sakthivel provides a cogent understanding into a hitherto unchartered territory on the applicability of copyright law on the live streaming of 'entertainment content'- an emerging medium of communication. The book examines in exhaustive breadth the scope of broadcasters' neighbouring rights under the copyright regime in the light of technological advancements vis-à-vis authors' right and explores the experiences of EU & USA and then suggests suitable changes to the Indian Copyright regime. Sakthivel employs technological analysis and existence of differential market for different mediums to substantiate the relationship of live streaming and the copyright regime.
Copyright's Highway : From the Printing Press to the Cloud by
n Copyright's Highway, one of the nation's leading authorities on intellectual property law offers an engaging, readable, and intelligent analysis of the effect of copyright on American politics, economy, and culture. From eighteenth-century copyright law, to the "celestial jukebox," to the future of copyright issues in the digital age, Paul Goldstein presents a thorough examination of the challenges facing copyright owners and users. In this fully updated second edition, the author expands the discussion to cover the latest developments and shifts in copyright law for a new audience of scholars and students. This expanded edition introduces readers to present and future debates regarding copyright law and policy, including a new chapter on the technological shift in emphasis from producer to consumer and the legal shift from exclusive rights to exceptions and limitations to those rights. From Gutenberg to Google Books, Copyright's Highway, Second Edition, offers a concise, essential resource for the internet generation.
Music Borrowing and Copyright Law: A Genre-By-Genre Analysis by
This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
רועי גולדשמידט מדיניות הסרת תכנים ברשתות חברתיות: תמונת מצב (הכנסת, מרכז מחקר ומידע 2021).
ליאור ברוך, מעיין פרל וניבה אלקין-קורן "תחרות ופערי כוחות בשוק המוזיקה הדיגיטלי: חישוב מסלול מחדש" מחקרי רגולציה ד 331 (2021).
שרוןבר-זיו וניבה אלקין-קורן "בין שתי זירות: אכיפת זכויות יוצרים באינטרנט" משפטים מח 411 (2019).
דניאל בן-אוליאל "שנת המשפט תש"ע בתחום הקניין הרוחני, הטכנולוגיה והתקשורת" דין ודברים: כתב-עת משפטי בין-תחומי 6(1), 139 (2011).
אביחי אליהו ואורי גורלי "חוק הגנה על זכויות אמנים במוסיקה, הקשיים שהוא יוצר והצעות לפתרונם" הארת דין יב 71 (תשע"ח).
מעודכן ל: 21.5.2024
כל האזכורים של מקורות יש לאזכר לפי כללי האזכור האחיד והבלובוק. סרטוני הדרכה על אזכור חקיקה ופסיקה.
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